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• Diane Kruger Completes her Mon Diane Kruger Completes her Monochrome Outfit along with Chanel Bag

  • From: angelaleung2010
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    Weve already featured Diane Kruger just in recent times when she was spotted with date Joshua Jackson and an Alexander McQueen Python Clutch. Nevertheless they look dressed to kill at that gala occasion, this time, Diane Kruger stays refined and classy with her Chanel wallet handbags, that is just suitable for the Chanel and Tribeca Film Festival Artists dinner party (unlike Mary-Kate who we have observed using a Nancy Gonzalez bag).!!!!

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    The very purse looks truly apt for her overall ensemble. It somewhat gave a touch of gleam to her attire, and placing it across her body all the much more exhibits her eclectic manner fashion. Nevertheless it is not that fashionable in search of the very occasion, at least she managed to look comfy with it, that is certainly superior.

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  • 5 days ago
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• Diane Kruger Completes her Mon Diane Kruger Completes her Monochrome Outfit together with Chanel Wallet

  • From: oceanben017
  • Description:

    Weve already featured Diane Kruger just recently when she was spotted along with date Joshua Jackson and an Alexander McQueen Python Clutch. Nevertheless they look dressed to kill at that gala celebration, this time, Diane Kruger stays refined and classy along with her Chanel handbags brands, that is just proper for that Chanel and Tribeca Film Festival Artists dinner social gathering (unlike Mary-Kate who we have seen with a Nancy Gonzalez bag).!!!!

    Her monochrome ensemble is indeed an opposite of what she has shown on the exact recent gala night. We can clearly say that this is rather acceptable though a bit funky for any Chanel celebration.

    Yet anyway, excellent thing though she didnt opt for the exact classic quilted 2.55 wallet, and rather she complemented her outfit along with an equally funkier embellished Chanel wallet. The particular black turtle neck jumper is paired along with grey silk harem trousers, grounded along with black peep-toe pump and completed with a monochrome Chanel bag.

    The particular handbag looks truly apt for her overall ensemble. It somewhat gave a touch of gleam to her attire, and placing it across her body all the more exhibits her eclectic trend model. Nevertheless it is just not that beautiful looking for the exact celebration, at least she managed to look comfortable along with it, that is certainly better.

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  • 6 days ago
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• The framework of Sunglasses The framework of Sunglasses

  • From: david0808
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    Using the Improvement of Living Standards, Much more and Much more Persons Discover Direct Sunlight too Bright to be Comfortable. Throughout Outdoor Activities, Especially for Persons Who are Driving, on Beaches or on Ski Slopes, the very Human Eye can Receive Much more Light Than Usual. Healthcare Experts Suggest Eye Protection Whenever Outside to Safeguard the very Eyes From Ultraviolet Radiation, Which Can Lead towards the Development of a Cataract. replica watch is really a Visual Aid in reality. Sunglasses Have Long Been Linked With Famous people and Film Actors Primarily From a Desire to Hide or Mask Their Identity. Since the very 1940s Sunglasses Have Been Favorite seeing as a Fashion Accessory, Especially within the Beach.

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  • 2 weeks ago
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• The very structure of Sunglas The very structure of Sunglasses

  • From: tekkan
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    With the Improvement of Living Standards, Far more and Far more Men and women Come across Direct Sunlight as well Bright to be Comfortable. In the course of Outdoor Activities, Particularly for Men and women Who are Driving, on Beaches or on Ski Slopes, the very Human Eye can Receive Far more Light Than Usual. Healthcare Professionals Recommend Eye Protection Whenever Outside to Safeguard the very Eyes From Ultraviolet Radiation, Which Can Lead towards Development of a Cataract. swiss replica watch can be a Visual Aid in fact. Sunglasses Have Long Been Associated With Superstars and Film Actors Primarily From a Desire to Hide or Mask Their Identity. Because the very 1940s Sunglasses Have Been Favorite seeing as a Fashion Accessory, Particularly around the Beach.

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    The exact Rod Body, Which is Among the very End plus the Arch Rail, Forms a Narrow Neck Somewhat. And around the Spectacles Lens`s Corresponding Narrow Neck Area,It Forms a Partial Sag Slot Seperately. The exact Partial Sag Slot Combines With the Neck Area ..
    The exact Arch Rail is Fixed around the Back of Spectacles Lens inside the Upper to Avoid It From Being Damaged.The exact Design Makes Spectacles Frame Simplified,and Make Spectacles Lens Be Installed and Disassembled Quite Merely.

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  • 3 weeks ago
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• ONLY Watch is really a charity ONLY Watch is really a charity auction of special looks after - TAG HEUER

  • From: kjmy123
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    The very first (N001/150) on the 150 years of TAG Heuer exclusive edition TAG Heuer Monaco V4, the exact worlds very first ever belt-driven view having a linear oscillating mass, is going to be offered at the biennial Only rolex replica watch auction in Monaco on September 24th.

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  • 3 weeks ago
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• The very Construction of Sungl The very Construction of Sunglasses

  • From: sammynishishui
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    Sunglasses, gradually aren’t only a kind of protective eyewear designed primarily to avert bright sun light and high-energy visible light any a lot more, nonetheless act a lot more being a style accessory which are linked with superstars and film actors primarily from a desire to mask their identity. These types of improvements and function have certain company with their flexible development.

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  • 4 weeks ago
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• pThe importance of the jewelry pThe importance of the jewelry

  • From: strivecat99
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    Luxurious itself is really a cultural phenomenon. It’s perfectly know that well-known brand names choose famous people in endorsements. Brand name swiss replica watch are no exception. In 2009, the exact well-known brand NUBEO introduced a series of constrained edition timepieces which named “Black Mamba”. It’s notable that the exact brand cooperated while using exceptional basketball star—Kobe. And Kobe was not just the exact mouthpiece but additionally the exact designer. Within the athletics area, it is not frequent to view the exact collaboration between basketball star and luxury timepieces brand names. Nevertheless well-known brand names invite famous people as the mouthpieces plus they wear the exact brand enjoy to attend events, which can make the exact romantic relationship between the exact star plus the brand turn out to be closer and closer.

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  • 1 month ago
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• Layout Comes Very firstly When Layout Comes Very firstly When Paying for a Bag

  • From: wrathme54
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    There isn't any doubt that Chopard brand name will be the leader of designer cheap replica watch. Chopard features a lengthy background over 140 years. In 1860, Louis- UlysseChopard established the popular brand—Chopard in Switzerland.

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  • 1 month ago
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• OUT OF TIME TRAILER OUT OF TIME TRAILER

  • From: DVFILMPRO
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    A YOUNG MAN HAS A WEEK TO LIVE WITH TWO KIDS AND WANTS TO LEAVE THEM SOMTHING.

  • 1 month ago
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• The fable of Omega watch The fable of Omega watch

  • From: xinweidu001
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    Omega, the extravagant watch producer, is well-known for its graceful, daring and gracious style in the world. Since its creation in Switzerland in 1848 by Louis Brandt, Omega has never held back looking for novelty and improvement.

    The company did not begin in a fabulous scale. It was began by buying local manual winding watches by Louis, the beginner. It is with the innovative spirit that the company rose to the industry standard after years.

    In 1903, when the company was overseen by four junior entrepreneurs, with only 800 employees, 240 thousand watches were manufactured each year. Due to the daring personality of its possessors, the company keeps spreading out. The company once rose to number one watch producer in Switzerland. In the 1960s, the company launched the Omega Speedmaster Professional Chronograph and put into aviation use. It was used by NASA and became the first watch appearing in the moon. But the tide turned in 1975 when the economic recession stroke. The company struggled forward.

    Because of its audacious spirit, the company born again in the 90s.In 1995, Pierce Brosnan, the famous film star, worn a Omega Seamaster Quartz Professional in his film. And this brought in great remarks for the brand.Four years later, in 1999, it mass produced a watch with co-axial escapement and took in much popularity. Ever since then, Omega is so popular among the world that it was selected to be the Olympics watches.

    Omega replica watches never ends bettering. Nowadays, it is proposing a variety of models. Some of them could be cool for fashionistas, while some are professional designed for the professional. I am sure it is a ever popular brand.

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• dudley53benjamin

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• zenlabmedia

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• squiddle

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• Desi Arnaz Desi Arnaz

  • From: GeniusInMotion
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    Desi Arnaz (1917-1986) is best known for the popular 1950s television show "I Love Lucy", a situation comedy that he helped create along with his wife Lucille Ball, to whom he was married from 1940 to 1960. Arnaz played "Ricky Ricardo," a struggling Cuban-born bandleader whose high-spirited wife Lucy (played by Ball) was forever engaged in some sort of comedic mischief. Behind the scenes, Arnaz was known as a savvy businessman and producer and a trailblazer in the early years of television.

    
    

    Although network executives were at first reluctant to cast the heavily accented Arnaz alongside an all-American redhead like Lucy, Arnaz and Ball agreed to contribute $39,000 from their salaries toward production costs of I Love Lucy to ensure that the series would be launched. The comedy quickly emerged as one of the most popular shows of the decade. As Scholastic Update noted in 1988, Arnaz's role on the show helped Americans to "accept Hispanic immigrants not just as exotic outsiders, but as Hispanic-Americans."

    Desiderio Alberto Arnaz y De Acha was born on March 2, 1917 in Santiago, Cuba. His father Desiderio was mayor of Santiago and a wealthy property owner whose holdings included a cattle ranch, two dairy farms, and a villa on a small island in Santiago Bay. Desi's mother, the former Dolores de Acha, was the daughter of one of the founders of the Bacardi rum company. As a teenager, Arnaz was expected to attend college before embarking on a career in law and politics.

    However, political unrest in Cuba dramatically changed the direction of Arnaz's life. In August 1933, the Arnaz home in Santiago was burned and ransacked. While Arnaz and his mother managed to escape to safety, his father, a newly elected congressman, was put in prison. While there, he was advised by the new chief of state, Fulgencio Batista, that he would be freed if he left the country. Promising to send for his wife (whom he'd later divorce) and son, Arnaz's father set out for Miami.

    In June 1934, the 17-year-old Desi arrived in America and was greeted by his father, who had established an import-export company with two other refugees in Miami. To save money, father and son lived in the company warehouse and ate cans of pork-and-beans. They used baseball bats to ward off the rats that scurried through the building. After school, young Arnaz worked cleaning bird cages for a man who sold canaries on consignment in area drug stores.

    During this time, Arnaz was recommended to a band-leader by a girlfriend's grandfather. Armed with a used guitar purchased for $5 from a pawnshop and a facility with the instrument - he'd used it often in Cuba to serenade the opposite sex - Arnaz persuaded his father to let him take this new $39-a-week job at the Roney Plaza Hotel. Xavier Cugat, the "king" of Latin dance music soon discovered the young musician. Upon graduating from high school and serving a stint in the Cugat orchestra, Arnaz debuted his own band in Miami Beach in December 1937.

    The Desi Arnaz Orchestra won favorable reviews in New York and Miami. Collaborators, Lorenz Hart and Richard Rodgers, asked the young orchestra leader to audition for their upcoming Broadway musical Too Many Girls. Arnaz landed the part of the Latin American exchange student. Soon the 23-year-old was on his way to Hollywood to appear in the film version of the musical, starring 28-year-old studio actress, Lucille Ball.

    "Lucy and Desi's first scene together in the movie Too Many Girls required him to take one glance at her and swoon dead away in ecstasy," commented Warren G. Harris in Lucy & Desi. "It didn't take much acting skill; by then, they were already in love in real life." The relationship was passionate and tumultuous from the start, punctuated by clashes of temper and jealousy. Many of the disagreements centered on Arnaz's flirtatious nature. Still, they came to care deeply for one another. Arnaz called her "Lucy" even though she had long called herself "Lucille." "I didn't like the name Lucille," Arnaz recalled in his autobiography. "That name had been used by other men. 'Lucy' was mine alone."

    On November 30, 1940, Ball and Arnaz were married in Connecticut and upon returning to California, the couple settled into a five-acre ranch in Chatsworth, just outside of Los Angeles. Mindful of the practice of naming their residence after themselves as actors Douglas Fairbanks and Mary Pickford had done, the couple decided on Desilu after eliminating such other possibilities as Arnaball, Ballarnaz, and Ludesi.  In May 1943, Arnaz received his draft notice to serve in World War II. Because of an injury, however, he saw only non-combat duty at Birmingham Hospital, 15 minutes away from Desilu.

    Arnaz' officially shortened his name during his stint in the service (from Desiderio Alberto Arnaz y de Acha to Desi Arnaz). When his military service concluded, he returned to Hollywood, only to find his opportunities limited by his heavy accent. Despite critical acclaim for his performance in the movie Batman and gossip columnist Louella Parson's prediction that he'd be the next Rudolph Valentino, Arnaz found it difficult to secure significant parts. The new 22-piece Arnaz Orchestra, though, was getting favorable reviews, and Arnaz eventually landed a role in the movie Cuban Pete, in which he was touted as "The Rhumba-Rhythm King."

    In 1948, Arnaz and Ball formed Desilu Productions to coordinate their various stage, screen, and radio activities. A year later, Arnaz asked Ball to marry him again - this time in an official Catholic ceremony. The ceremony was later played out again, albeit in a more fanciful manner, in an episode of I Love Lucy.

    By 1950, Arnaz and Ball had both established themselves in the medium of radio. Arnaz first served as the bandleader for Bob Hope's radio show, then as host of the musical quiz show Your Tropical Trip; Ball portrayed the scatterbrained housewife on the radio serial My Favorite Husband. When the CBS television network decided to turn My Favorite Husband into a TV series, Ball insisted that Arnaz be cast as her husband. As the show's producer as well as its leading man, Arnaz helped bring movie-quality techniques to live television and negotiated a deal whereby Desilu retained full ownership of the show.

     

    The I Love Lucy show premiered on October 15, 1951. The principal characters were Ricky Ricardo, a struggling Latin bandleader who would burst into Spanish whenever he got particularly exasperated, and his wife Lucy, a wacky housewife with showbiz aspirations but no real talent. Before long, I Love Lucy was a smash hit, televised around the world. "Rather than repelling audiences as CBS had feared," wrote Harris, "Desi's flamboyant Cuban-ness apparently had the opposite effect of attracting viewers." Casting Arnaz as a TV husband was "a case of awkwardness being recognized as an asset," observed a critic for the New York Times. The show won Emmy awards in 1952 and 1953 for best situation comedy.  More Americans watched the January 13, 1953, episode featuring the birth of "Little Ricky" than tuned in to the inauguration of President Eisenhower, according to the New York Times. Lucille Ball gave birth to Desi Jr., the very same day.

    Under Arnaz's direction, Desilu Productions became a media giant. In 1955 I Love Lucy began re-broadcasting earlier episodes - the first reruns ever shown of a current prime-time show - because so many viewers with brand-new televisions had missed the show's early years. As the New York Times observed, "The appeal of reusable filmed programs led eventually to a seismic shift in television production from New York to Hollywood, and made the program's creators millionaires."  In addition to I Love Lucy, Desilu produced such hits as Our Miss Brooks, The Untouchables, and The Danny Thomas Show. Arnaz and Ball also appeared together in movies such as The Long, Long Trailer and Forever, Darling. In 1957, Desilu bought RKO Studios, where he and Ball had met in 1940. By the mid-195Os Desilu was an empire that grossed about $15 million annually and employed 800 people.

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• A Sixth Sense: M. Night Shyama A Sixth Sense: M. Night Shyamalan

  • From: GeniusInMotion
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    M. Night Shyamalan was born in Pondicherry, India. His father, Nelliyattu C. Shyamalan, a physician, is a Malayali Indian, and his mother, Jayalakshmi, is a Tamil Indian and an obstetrician and gynecologist by profession. In the 1960s, after medical school (at the Jawaharlal Institute of Postgraduate Medical Education & Research in Pondicherry) and the birth of their first child, Veena, Shyamalan's parents moved to the United States. Shyamalan’s mother returned to India to spend the last five months of her pregnancy with Shyamalan at her parents’ home in Chennai (Madras).

    Shyamalan spent his first six weeks in Pondicherry and then was raised in Penn Valley, Pennsylvania, an affluent suburb of Philadelphia. He attended the private Roman Catholic grammar school Waldron Mercy Academy, which his parents chose for its academic discipline,[3] followed by the Episcopal Academy, a private Episcopalian high school located at the time in Merion, Pennsylvania. Shyamalan went on to New York University’s Tisch School of the Arts, in Manhattan, graduating in 1992. It was here that he made up his middle name.

    Shyamalan had an early desire to be a filmmaker when he was given a Super-8 camera at a young age. Though his father wanted Shyamalan to follow in the family practice of medicine, his mother encouraged Shyamalan to follow his passion. By the time he was 17, Shyamalan, who had been a fan of Steven Spielberg, had made 45 home movies. Beginning with The Sixth Sense, he has included a scene from one of these childhood films on each DVD release of his films, which he feels represents his first attempt at the same kind of film (with the exception of Lady in the Water).

    Shyamalan made his first film, the semiautobiographical drama Praying with Anger, while still an NYU student, using money borrowed from family and friends. It was screened at the Toronto International Film Festival on September 12, 1992, and played commercially at one theater for one week. When the film debuted at the Toronto Film Festival, Shyamalan was introduced by David Overbey who predicted that the world would see more of Shyamalan in the years to come. Praying with Anger has also been shown on Canadian television. Filmed in Chennai, it is his only film to be shot outside of Pennsylvania.

    

     

    Shyamalan wrote and directed his second movie, Wide Awake, in 1995, though it was not released until 1998. His parents were the film's associate producers. The drama dealt with a ten-year-old Catholic schoolboy (Joseph Cross) who, after the death of his grandfather (Robert Loggia), searches for God. The film's supporting cast included Dana Delany and Denis Leary as the boy's parents, as well as Rosie O'Donnell, Julia Stiles, and Camryn Manheim. Wide Awake was filmed in a school Shyamalan attended as a child and earned 1999 Young Artist Award nominations for Best Drama, and, for Cross, Best Performance. Only in limited release, the film grossed $305,704 in theaters. That same year Shyamalan wrote the screenplay for Stuart Little.

    Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense, which was nominated for six Academy Awards including Best Picture, Best Director and Best Original Screenplay. He followed The Sixth Sense by writing and directing Unbreakable, released in 2000. His 2002 film Signs, where he also played Ray Reddy, gained both critical and financial success.  It was followed by The Village (2004), Lady in the Water (2006) and The Happening (2008).

    In 1993, Shyamalan married Indian psychologist Bhavna Vaswani, a fellow student whom he met at NYU and with whom he has two daughters. As of early-2008, the family resides in Gladwyne, Pennsylvania, near Shyamalan's usual shooting site of Philadelphia. His production company, Blinding Edge Pictures.

     

     

    *Wikipedia

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  • 10 months ago
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• Amos 'n Andy: Spencer Williams Amos 'n Andy: Spencer Williams Jr

  • From: GeniusInMotion
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    Spencer Williams (July 14, 1893 – December 13, 1969) was an African American actor and filmmaker. He was best known for playing Andy in the Amos 'n Andy television show and for the directing the 1941 race film The Blood of Jesus.  Williams (who was sometimes billed as Spencer Williams Jr.) was born in Vidalia, Louisiana. He moved to New York City when he was a teenager and secured work as call-boy for the theatrical impresario Oscar Hammerstein. During this period, he received mentoring as a comedian from the African American vaudeville star Bert Williams. Williams served in the U.S. Army during World War I, where he rose to the rank of sergeant.  During the 1920s, he began to snag bit roles in motion pictures, including a part in the 1928 Buster Keaton film Steamboat Bill, Jr. He teamed with Lonnie Jackson to record the song "It Feels So Good," which was released on the Okeh Race Records label in 1929.   Also in 1929, Williams was hired by producer Al Christie to create the dialogue for a series of two-reel comedy films featuring all-black casts. The films, which played on racial stereotypes and used grammatically tortured dialogue, included The Framing of the Shrew, The Lady Fare, Melancholy Dame, Music Hath Charms, and Oft in the Silly Night.

    During the 1930s, Williams secured small roles in race films, a genre of low-budget, independently-produced films with all-black casts that were created solely for exhibition in racially segregated theaters. Williams also created two screenplays for race film production: the Western film Harlem Rides the Range and the horror-comedy Son of Ingagi, both released in 1939. Alfred N. Sack, whose Dallas, Texas-based company Sack Amusement Enteprises produced and distributed race films, was impressed with Williams’ screenplay for Son of Ingagi and offered him the opportunity to write and direct a feature film.  At that time, the only African American filmmaker was the self-financing writer/director/producer Oscar Micheaux.

    Williams’ resulting film, The Blood of Jesus (1941), was produced on a $5,000 budget using non-professional actors for his cast. The film, a religious fantasy about the struggle for a dying’ Christian woman’s soul, was a major commercial success. Sack declared The Blood of Jesus was “possibly the most successful” race film ever made, and Williams was invited to direct additional films for Sack Amusement Enterprises. In the next six years, Williams directed Brother Martin: Servant of Jesus (1942), Marching On! (1943), Go Down Death (1944), Of One Blood (1944), Dirty Gertie from Harlem U.S.A. (1946), The Girl in Room 20 (1946), Beale Street Mama (1947) and Juke Joint (1947). Following the production of Juke Joint, Williams retired from the entertainment industry. He relocated to Tulsa, Oklahoma, where he joined Amos T. Hall in founding the American Business and Industrial College.

    In 1948, U.S. radio comedians Freeman Gosden and Charles Correll were planning to take their long-running comedy program Amos 'n Andy to television. The program focused on the misadventures of a group of African Americans in the Harlem section of New York City. Gosden and Correll were white, but played the black lead characters using racially stereotypical speech patterns. They had previously played the roles in blackface make-up for the 1930 film Check and Double Check, but for the television version they opted to use an African American cast.  Gosden and Correll conducted an extensive national talent search to cast the television version of Amos 'n Andy. News of the search reached Tulsa, where Williams was sought out by a local radio station that was aware of his previous work in race films.  Williams successfully auditioned for Gosden and Correll, and he was cast as Andrew H. Brown. Williams was joined in the cast by New York theater actor Alvin Childress, who was cast as Amos, and vaudeville comedian Tim Moore, who was cast as their friend George “Kingfish” Stevens.

    Amos 'n Andy was the first U.S. television program with an all-black cast, running for 78 episodes on CBS from 1951 to 1953.  However, the program created considerable controversy, with the NAACP going to federal court to achieve an injunction to halt its premiere. After the show completed its network run, CBS syndicated Amos 'n Andy to local U.S. television stations and sold the program to television networks in other countries. The program was eventually pulled from release in 1966, under pressure from civil rights groups that stated it offered a negatively distorted view of African American life.  After Amos 'n Andy ended its network run, Williams made very few professional appearances.

    His last credited role was as a hospital orderly in the 1962 Italian horror production L'Orribile Segreto del Dottor Hitchcock.  Williams died of a kidney ailment on December 13, 1969, at the Sawtelle Veterans Administration Hospital in Los Angeles, California. At the time of his death, news coverage focused solely on his work as a television actor, since few white filmgoers knew of his race films. The New York Times obituary for Williams cited Amos 'n Andy but made no mention of his work as a film director.  Recognition for Williams’ work as a film director came years after his death, when film historians began to rediscover the race films. Some of Williams’ films were considered lost until they were located in a Tyler, Texas, warehouse in 1983.  One film directed by Williams, his 1942 feature Brother Martin: Servant of Jesus, is still considered lost.  Most film historians consider The Blood of Jesus to be Williams’ crowning achievement as a filmmaker. Dave Kehr of The New York Times called the film “magnificent” and Time magazine counted it among its “25 Most Important Films on Race.” In 1991, The Blood of Jesus became the first race film to be added to the U.S. National Film Registry.  Film critic Armond White named both The Blood of Jesus and Go Down Death as being “among the most spiritually adventurous movies ever made. They conveyed the moral crisis of the urban/country, blues/spiritual musical dichotomies through their documentary style and fable-like narratives.”

    Williams was a multitalented man whose energy and unfailing good humor were, by all accounts, extra-ordinary. He was a pioneering success in a medium that was built to exclude his participation in it, and for that he deserves to be remembered.

     

    *wikipedia

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• Ko-li-la-wato: Alanis Obomsawi Ko-li-la-wato: Alanis Obomsawin

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    Alanis Obomsawin, a member of the Abenaki Nation, is one of Canada’s most distinguished documentary filmmakers. Her latest National Film Board production, Our Nationhood (2003), chronicles the determination and tenacity of the Listuguj Mi'gmaq people to use and manage the natural resources of their traditional lands. The Mi’gmaq of Esgenoopetitj (Burnt Church), New Brunswick were the subject of her 2002 documentary, Is the Crown at war with us? (2002), a powerful and painstakingly researched look at the conflict over fishing rights.

    Ms Obomsawin began her career as a singer, writer and storyteller, but dove into filmmaking in 1967 with Christmas at Moose Factory, which she wrote and directed. Since then, Obomsawin has made over 20 uncompromising documentaries on issues affecting Aboriginal people in Canada.  The 2000 NFB release Rocks at Whiskey Trench was Obomsawin's fourth film in her series about the 1990 Oka crisis. The first, Kanehsatake 270 Years of Resistance (1993), was a feature-length film documenting the 1990 Mohawk uprising in Kanehsatake and Oka, which has won 18 international awards. It was followed by My name is Kahentiiosta (1995), a film about a young Kahnawake Mohawk woman who was arrested after the 78-day armed standoff, and Spudwrench – Kahnawake Man (1997), profiling Randy Horne, a high-steel worker from the Mohawk community of Kahnawake. 

Alanis Obomsawin was born in New Hampshire on Abenaki Territory. When she was 6 months old, her mother returned to the Odanak reservation northeast of Montreal where Alanis lived until she was 9. As a child, Théophile Panadis, her mother’s cousin, initiated her into the history of the Abenaki nation and taught her many songs and legends. Obomsawin and her parents then left Odanak for Trois Rivières, where they were the only Native family. Cut off, speaking little French and no English, Obomsawin held fast to the songs and stories she had learned on the reservation.

    In 1960, Obomsawin made her professional debut as a singer in New York City. In 1967, NFB producers Joe Koenig and Bob Verrall saw Obomsawin on TV. They invited the singer/storyteller to the Film Board to work as an advisor on a film about Aboriginal people. Obomsawin went on to direct films of her own, while continuing to perform and fight for justice for her people. For 31 years, Obomsawin has directed documentaries at the NFB with strong social content, inspired by the desire to let the voices of her people be heard. In 1983, she was made a member of the Order of Canada, in recognition of her dedication to the well-being of her people and the preservation of the First Nations’ heritage through her filmmaking and activism. Obomsawin’s films include: Incident at Restigouche (1984), a powerful depiction of the Quebec police raid of a Micmac reserve; Richard Cardinal: Cry from a Diary of a Métis Child (1986), the disturbing examination of an adolescent suicide, and No Address (1988), a look at Montreal’s homeless.

    As a singer/songwriter, Obomsawin has toured Canada, the United States and Europe performing for humanitarian causes in universities, museums, prisons and art centres, as well as at folk art festivals. Her 1988 album Bush Lady features traditional songs of the Abenaki people, as well as original compositions.

    In March 2001, Obomsawin received the Governor General’s Award in Visual and Media Arts. An Officer of the Order of Canada, Obomsawin’s many honours also include the Toronto Women in Film and Television’s (TWIFT) Outstanding Achievement Award in Direction, the Canadian Native Arts Foundation National Aboriginal Achievement Award, and the Outstanding Contributions Award from the Canadian Sociology and Anthropology Association (CSAA). The latter marks the first time that the CSAA has honoured someone who is not an academic in the field of sociology and anthropology.

    Obomsawin also received a fellowship from the Ontario College of Art, an Honorary Doctor of Letters from York University, an Honorary Doctor of Laws from Concordia University and an Honorary Doctor of Literature from Carleton University. She has taught at the Summer Institute of Film and Television in Ottawa.

    Obomsawin formerly chaired the Board of Directors of the Native Women’s Shelter of Montreal, and sat on the Canada Council’s First People’s Advisory Board. She was also a board member of Studio 1, the NFB’s Aboriginal studio, and a former advisor to the New Initiatives in Film, a Studio D program for women of colour and women of the First Nations. As a member of the Board of Aboriginal Voices, she was part of an initiative to obtain a radio licence for the organization. She currently serves on the Board of Directors for the Aboriginal Peoples Television Network and for the Public Broadcasting System (PBS) in Vermont.

    Alanis Obomsawin's films have won dozens of major international awards, and have been seen on television and at festivals around the world. In 1983, she was named a member of the Order of Canada, the country's highest honour.

    As a mark of affection, her people call her Ko-li-la-wato - "someone who makes us very happy".

    *films.nfb.ca

     

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